Why a little church history is a necessary--and dangerous--thing
From the June issue of Christianity Today
Posted online on 06/17/10
This is where I park my Christianity Today columns and other pieces I've written. Hope you like 'em.

It seemed I was watching a series of dismemberments, as the infomercial's editors divorced body parts from their owners in order to direct attention to deficiencies in quality and trajectory. I was struck by how tragic it is that millions of humans—impossibly complex in neurological makeup, fantastically unique, and almost unbearably freighted with potential—walk around obsessed with perceived appendage inadequacies (or superiorities).
This is no news flash: We live in a body-obsessed culture. Materialism—the conviction that only matter can be proven to exist and that belief in transcendence is at best a fond hope, and at worst a dangerous delusion—is the spirit of our age. Ironically, it leaves us with no spirit at all, just our bodies and their appetites, unbridled and insatiable. No wonder we approach the fridge—and each other—with a predatory eye. We're just trying to survive.
I believe that the only cure is to embrace nonmaterial reality as an integral part of the universe and ourselves. The conviction that we cannot be reduced to bodies is foundational to my worldview. It has also enabled me to justify avoiding any sort of consistent physical exercise for much of my life.
My husband is a kinesthetic person; if he goes too long without activity he gets restless. I, on the other hand, can be perfectly and indefinitely happy with a book and a comfortable couch. Although I often have felt a vague sense of guilt (and, lately, gravity), I have found a way to spiritualize my inclinations. I focus on soul things (books, ideas, music, relationships), not body things (exercise, nutrition). It's always seemed to me that exercising for exercise's sake is like wasting your life constantly fine-tuning your car rather than driving it somewhere.
Then, this past year, my parents got sick. Seeing how stress on the body—both theirs and mine—affects the well-being of the soul, I began reconsidering my position on exercise.
So I promised my 11-year-old son that I would run a race with him, and I downloaded a "Learn to Run a 10k in 13 Weeks" training guide. And I started to run.
Actually, run is a strong word. I began to shuffle forward in a continuous motion. But this was no small thing. I started rising an hour earlier than normal to jog before the kids got up for school. My friends said, "Who are you, and what have you done with Carolyn?"
I've been shocked by how spiritual an activity exercise has turned out to be. When I am running I am uniquely awake and open; it's not uncommon for me to wind up crying, laughing, praying, or praising. The neighbors must find this unsettling; I find it fascinating.
I suspect that my longstanding protest against materialism has made me susceptible to another time-honored heresy: Gnosticism, the belief that matter is inherently evil. Gnostics wondered how a perfect God could be defiled in imperfect human form. Gnosticism had to be struck down repeatedly in order to reach an orthodox understanding of the Incarnation: Jesus was fully God and fully human. The Word became flesh (John 1:14).
The Incarnation shows us that matter is not all there is. But it also shows us that matter matters. Jesus came a long way to take on our molecular structure. He pointed to other kinds of existence, telling his disciples, "I have food to eat that you know nothing about" (John 4:32). But he also fully inhabited our bodily reality, so much so that many of his miracles involved food, drink, physical healing, and even resurrection. One of his final earthly acts was to cook fish on the beach for his friends.
So maybe our bodies aren't the cars that drive our souls to the altar. Maybe they are an integral part of what we lay on the altar, and are up for healing and holiness with the rest of us.
After all, Jesus called us to love God with our hearts, souls, minds, and strength. Just as his words disturb the comfortable and comfort the disturbed, they call the overactive to stillness and activate the overly still. They restore the soul to those who overemphasize the body, and redeem the body for those who focus only on the soul.
"The physical part of you is not some piece of property belonging to the spiritual part of you," says The Message translation of 1 Corinthians 6:19-20. "God owns the whole works. So let people see God in and through your body"—even if that means shuffling forward in a continuous motion, one step at a time.
Copyright © 2009 Christianity Today. Click for reprint information.
Comments welcome below or on CT's site.

Why the arts matter even during a recession
At a concert in Erie, Pennsylvania, I sang a song called "In Good Hands." Afterward, the church's custodian stopped by. "When you was singing that song about Jesus' hands," he said, "the sun was setting behind you, and it was making them stained glass pictures of Jesus glow. The sound of your buddy's violin was bouncing off these stone walls, and, well, you was saying more than you was even saying."
In these tough times, I worry that violins and stained glass and folk songs may become extraneous. Many people are in a state of financial frostbite; just as blood flow to the extremities is restricted to save vital organs in a case of hypothermia, resources for less essential items must be diverted during an economic crisis. Who's going to buy tickets to a film festival, ballet, or concert when there isn't enough money for groceries?
What business do I have writing songs when there is practical work that needs doing? Do the arts matter? Are they expendables or essentials?
Karl Paulnack, director of the music program at the Boston Conservatory, tells the story of Olivier Messiaen, a French composer who was 31 when he was sent to a Nazi concentration camp. Messiaen convinced a sympathetic prison guard to provide paper and a place to compose; in January 1941, his Quartet for the End of Time was performed for 4,000 prisoners and guards. To this day, it is considered a masterpiece.
Paulnack asks, "Given what we have since learned about life in the concentration camps, why would anyone in his right mind waste time and energy writing or playing music? … And yet—from the camps, we have poetry, we have music, we have visual art … Why? Well, in a place where people are only focused on survival, on the bare necessities, the obvious conclusion is that art must be, somehow, essential for life. Art is part of the human spirit, an unquenchable expression of who we are."
The Christian faith provides an explanation for the resilience of the human creative impulse. Consider God's first revelation about himself, the first five words of the Bible: In the beginning, God created. When we help make something—when we participate in bringing "cosmos out of chaos," as writer Madeleine L'Engleput it—we affirm the fact that we are made in the image of the Creator. No wonder we can't help ourselves. We are made to participate in the arts.
There are a thousand arguments for the usefulness of the arts in the church. Paintings and plays let us say things that we could never express in direct conversation, giving them great evangelistic potential. Poems and visual icons can be powerful discipleship tools, and Scripture mandates the use of song. Music and poetic liturgy have long been essential mechanisms for communal worship.
But the arts are also important for less obvious reasons. When we witness the transformation of raw material into something beautiful, we are encouraged to remember that other new realities can be made—that perhaps justice can be created where there is injustice, wholeness can be wrought where there is disease and poverty, and community can be made even from discord. Beauty not only suggests these ideals are possible, but it also awakens a longing for them.
When songwriter Sara Grovestold International Justice Mission founder Gary Haugen that she wanted to quit music and become a lawyer in support of the cause, Haugen told her she must continue in the important work she was already doing to move hearts and minds toward justice. The arts are not in competition with efforts against injustice; they are an essential part of the fight.
But the arts do even more than help us believe in transformed realities: they kindle faith in unseen realities. My own sense of transcendence is nurtured primarily by beauty—in the created world (mountains, oceans, wildflowers) and in the world we help create (poems, songs, sculpture). By convincing us that there is something more than the material realm of atoms and synapses, the arts open a vista to belief in God.
And when we meet this God, our creativity becomes one of the ways we delight in him. The Message translation of Genesis says that we were created "reflecting God's nature." When we are lost in some endeavor—consumed by singing a song, dancing a jig, building a presentation, or telling a story—people say we are "in our glory." In truth, we are in God's glory, participating in the beauty overflowing from the Creator himself.
Those are the times we wind up saying more than we are even saying, and knowing more than we could know any other way.
Copyright © 2009 Christianity Today. Click for reprint information.
Comments welcome below or on CT's Site.
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