Showing posts with label Worship. Show all posts
Showing posts with label Worship. Show all posts

Wednesday, February 19, 2014

When God Wears a Costume (Jan/Feb CT Column)

When God Wears a Costume

Why we need symbols in order to see him.

Carolyn Arends

I was a teenager trying to entertain 2-year-old Laura as she squirmed in her high chair. Thinking myself a clever babysitter, I held up her laminated placemat, which featured a photograph of Mickey and Minnie Mouse.
"Is this a picture of Donald and Daisy Duck?" I asked.
"No," she giggled.
"Is it Goofy and Pluto?"
"Nuh-uh!" she squealed.
"Well, who are they?" I asked, gearing up for the inevitable right-answer celebration. But her reply caught me off guard.
"Strangers in costumes."
Laura is grown now, but I've been thinking about the pragmatism she exhibited as a toddler. Her no-nonsense take on the world (at least the world of Disney) is a perfect example of what sociologist Philip Rieff and philosopher Allan Bloom both described as a "low symbolic hedge."
I encountered this idea in The Shattered Lantern, a book by Catholic writer Ronald Rolheiser. If many Westerners have trouble perceiving God's presence in daily life, then perhaps, says Rolheiser, the problem is that our culture lacks potent symbols.
The ability to use symbols distinguishes humans from other animals. Consider eating. All animals use food for sustenance and pleasure. But humans can employ candlelight, china, toasts, and blessings to imbue a meal with significance. Through symbols, eating can embody romance, friendship, honor, or celebration.
I must confess: I usually have neither the time nor the inclination to bother with such symbols. When, for instance, I eat on the run, my symbolic hedge is low; food is just fuel, and the day is just a succession of hours to manage or endure.
But Rolheiser warns that a low symbolic hedge drains the meaning out of experience. To illustrate, he imagines a middle-aged man beset by chronic back pain.
What does this pain mean? It can mean that he has arthritis, a medical symbol; or it can mean he is undergoing some midlife crisis, a psychological symbol; or it can mean that he is undergoing the paschal mystery, that this is his cross, a religious symbol. Or it might mean all three. The symbols with which we enter and interpret our experience can be low (suffering arthritis) or high (being part of the paschal mystery!).
God's apparent absence in ordinary experience is intimately connected to the diminished height of our symbolic hedge.
I came to Rolheiser's book because two friends—a Christian and a skeptic—had confessed to longing for a sharper awareness of God's presence. Their failure to "feel" God left both women wounded.
The Shattered Lantern reminded me that sensing God's presence is not the same thing as faith. God is near whether we feel him or not. "Blessed are those who have not seen and yet have believed," Jesus declares (John 20:29). Saint John of the Cross famously wrote of the "dark night of the soul," claiming that sometimes God withdraws his presence.
Still, John of the Cross noted that in other cases the problem has more to do with our "blindness." Given that Jesus encourages us to seek in order to find (Luke 11:9), Rolheiser would have us cultivate a contemplative receptivity to God—trusting that, in general, we can sense his presence.
In a culture of narcissism, pleasure-seeking, and restlessness, that receptivity can seem futile. A low symbolic hedge is both a cause and a symptom of our problem. Where earth once seemed, in the words of Elizabeth Barrett Browning, "crammed with heaven," it now often appears as flat as a laminated placemat. Where the poet saw "every common bush afire with God," we see only shrubs.
Our low symbolic hedge is, in part, a byproduct of the modern dogma that nature is all there is. But it's also the fruit of our Reformation heritage, with its wariness of superstition. After all, Laura was right: Mickey and Minnie really are just strangers in costumes. It's foolish to pretend otherwise.
CommunionBreadWineBut what about cases when there's truly more than meets the eye? When bread and wine are not just food and drink, but emblems of a body broken? When baptismal waters plunge us into death and resurrection?
The ancient Israelites were not above raising the symbolic hedge when they needed to awaken themselves to God. In 1 Samuel 7, they pour out buckets of water to express repentance, and build "ebenezers" out of rocks to memorialize God's provision and deliverance. Sometimes water is more than water, stone more than stone.
Much has been made of young evangelicals leaving "low" Protestant congregations for more liturgical churches. Maybe part of what they're seeking is a higher symbolic hedge. What would happen if our worship enveloped them with biblically grounded symbolism? Certainly, we should remain wary of counterfeit "strangers in costumes." But we must also help ourselves remember that we've been invited into the drama of a mysterious and wonderful gospel—a truth stranger (in the best possible way) than fiction.

Wednesday, October 13, 2010

Hospitality Sweet

Hospitality Sweet
One of the forgotten keys to the dynamic worship of God.
I've attended some 2,000 church services in my lifetime, both as a church member and as a guest musician at a wide variety of gatherings across North America. I've participated in many different approaches to "doing" church.

We've sung from hymnals, songbooks, and PowerPoint slides with slick video backgrounds. We've been accompanied by choirs, folk singers, and rock bands. We've heard preaching from ministers in robes, suits, and graphic tees. We've met in cathedrals, sanctuaries, gymnasiums, and living rooms. We've read formal liturgies and followed the unspoken liturgies of a particular church's service format. Almost always, we have taken an offering.

We have called it all "church," and we've argued about the right way to do it in order to give God glory, reach seekers, and foster spiritual growth. Sometimes we've had trouble separating our aesthetic preferences from our theologies and the guidance of the Holy Spirit.

I have my own biases, and it's almost impossible to perceive any worship service outside of that lens. But lately I've been constructing a mental catalog of gatherings I've attended that were especially worshipful, challenging, or nourishing. I've been shocked by how widely they range in style, size, and polish. I can recall a wonderful communal awareness of God's presence in churches mega and miniscule, charismatic and conservative, contemporary and classical. (And I have found only empty ritual in a similar range of gatherings.)

Evidently, God will move wherever and whenever he pleases, regardless of our resources and plans. But when I look at my list of the most memorable gatherings, I see certain commonalities. Each of those services—whether led by a gifted team of professionals or by decidedly less proficient volunteers—was thoroughly Christocentric and profoundly reverent. No surprises there. The common characteristic that I least expected? Hospitality.

Robert Webber was the first person I heard speak about hospitality in the context of worship. He told a story about attending an unfamiliar church while traveling. About half of the church members constituted the choir, sitting up front in the loft. When it was time to sing, the choir director turned to the congregation and took the time to teach each parishioner his part, going over the soprano, alto, tenor, and bass lines until everyone knew what to do. Webber claimed that in the course of the opening song, guided by the choir at the front, he went from being a stranger to someone who belonged. He knew exactly how to enter into that community's worship, because he had been taught his part in it.

"In the church," Webber concluded, "singing is hospitality."

I've been in churches where the singing (not to mention the praying and preaching) is impressive and professional, but not hospitable. Those services have been more of a show than a family reunion, more a presentation than a meal together at a life-giving table. They have been effective to a point, but they haven't held a candle to hospitable churches that use every resource available (from the church's architecture to its care in establishing and teaching its liturgies in any style) to make each person included and sure of her part.

Hospitality matters because every time we worship together, we are drawn not only into our particular community, but also into the community of angels and saints who are always praising God. Even better, we are being reminded that we are included in the circle of fellowship between the Father, Son, and Spirit. The Son is the true worship leader who helps us express our thanks to the Father, the phenomenally hospitable God who invites us to make ourselves at home with him.

Church is powerful when it embodies this inclusion—much like our hospitable friends did on our recent family vacation. When church is like that, it becomes the home away from home where we offer each other a place to reunite, be fed, commune, wash, rest, and receive what we need for the road.

Saturday, September 27, 2008

Carbonated Holiness, March, 2008 (CT)


Carbonated Holiness

Laughter is serious business.

Recently, I threw out three boxes worth of my kids' Sunday school crafts. I felt heartless and vaguely evil. But really, one can only store so much Fun Foam in a single house.

Still, there was one piece of art I was compelled to save. My daughter had cut out and colored pictures of children engaged in different acts of worship, and glued them onto a sheet. (She was three; you were expecting decoupage?)

Bethany had been particularly proud of this assignment because of the gluing part. (I think she may have a future in adhesives.) The day she brought it home, I acknowledged the excellence of the glue-work and then asked her to tell me what the pictures represented. "Praying! Giving! Reading the Bible!" she shouted as I pointed to each scene.

I saved the best picture for last—a boy with his mouth open wide in song. Singing is my favorite form of worship. I knew it would be Bethany's too, what with her mother being a singer and all.

"Laughing," said Bethany, when I pointed to the boy with the open mouth.

I stood corrected. Laughing is my favorite form of worship.

I've been backing up my laughter-as-worship theory for a while now, collecting various quotes on the matter. I was recently compelled to stop reading Anne Lamott's Plan B long enough to shout "Yes!" (complete with fist-pump), and scribble this line on an airplane napkin: "Laughter is carbonated holiness." And anyone who knows me will understand why I give a hearty amen to this bit of wisdom from Woody Allen: "I am thankful for laughter, except when milk comes out of my nose." (In my case, there was an unfortunate incident involving Diet Coke, and the memory of it gives poignancy to the idea of laughter as carbonated holiness.)

But my favorite quote may be this one from Karl Barth: "Laughter is the closest thing to the grace of God." Of course, Barth must have meant the good kind of laughter, born from joy or relief or the sweet surprise of community. There is also derisive laughter, rooted in pettiness or vulgarity or cruelty. It's not hard to tell the redemptive kind—laughter that is reflexive, even involuntary worship—from the destructive kind.

Laughter can change and grow, and sometimes it changes and grows us. Consider the laughter of Abraham's Sarah, blossoming from incredulity into incredible joy. When Sarah had a baby at long, impossible last, she named him Isaac—which means, of course, "laughter."

A good laugh is a release—even if only for a moment—from worry, strife, and self. It is a sudden, often unbidden confession that someway, somehow, all is well, or at least there is a hope that it can be.

It's telling that we talk about "gales" of laughter. We instinctively recognize that laughter belongs to the world of wind, or Spirit—unexpected joy arrives on the gust of a fresh current and carries us to a different place from the one where it found us. That is why I suspect that Lamott is right—that laughter is holiness, that it is part of the life of God, and that to laugh from your belly is to worship the Giver of all good gifts.

Trinitarian theologians use the word perichoresis to describe the happy fellowship of the Father, Son, and Spirit. Their relationship is often pictured as a tireless and joyful divine dance. I can't think about that holy dance without remembering certain jigs that have been known to take place in our family room. (For shy, repressed, reserved, uncoordinated, Canadian Baptists, we can really cut a rug.) When our kids were toddlers, my husband, Mark, and I would twirl and spin them until they were helpless with laughter so hard it was soundless, and then we would laugh at them laughing until we were all worn out with gladness. If we'd have thought of it, we could have quoted the psalmist as we held our aching sides on the family room floor: "Our mouths were filled with laughter, our tongues with songs of joy. … The LORD has done great things for us, and we are filled with joy."

It's serious business, laughter. It's the kind of sacrifice of praise that puts our insides right. The old cliché is true: Laughter is a medicine that reminds us that our sickness will one day be healed and we shall be whole and holy. Until then, laughter is the Elmer's Glue that attaches us to the goodness that inhabits this world, and to the gladness that hints at the world to come.

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